Replicate Hugo Comte’s Studio Lighting Style with Ease

Hugo Comte’s lighting style is all about underexposing the foreground to make the highlights pop. Use two large umbrellas or octav with grids, one with a diffusion panel, to create the underexposed foreground. Vary the angle of the octa hitting the background with a big Octor on one side and a grid on the other to create uneven lighting. Use reflectors with grids or parabolics to catch secondary highlights across the skin. Use a warm gel on underexposed areas and a blue gel on highlights. Use a mix of strobe and constant light with a high aperture for power. Create multiple light sources for a raw skin look with soft underexposed and intense hard highlights.

Overview 📷

In this article, we’ll delve into the distinctive lighting style of Hugo Comte, focusing on the characteristics and techniques that set his work apart. By analyzing the unique approach taken by Comte in his early images, we’ll gain valuable insights into how to replicate his lighting style in a studio setting.

Early Work 📸

Hugo Comte’s lighting style has evolved over the years, but we’ll concentrate on the key characteristics evident in his early work. The underexposed foreground and the strategic use of highlights are defining elements that contribute to the impactful nature of his imagery.

Replicating the Lighting Style 🎨

To replicate Comte’s lighting style in a studio, we’ll need to pay particular attention to the use of large umbrellas and octav lights. There’s a delicate balance between underexposing the foreground and creating intense highlights, both of which contribute to the overall visual impact of the images.

Techniques for Replication 🌟

To recreate the distinctive lighting style of Hugo Comte, we need to focus on specific techniques and equipment. The use of large umbrellas or octav lights with grids and diffusion panels plays a crucial role in achieving the desired lighting effects.

Lighting the Background đŸ–ŧī¸

An essential aspect of replicating Comte’s style is the treatment of the background. By strategically positioning large octav lights and varying the angle of their impact, we can create the same dynamic contrast and level of intensity that characterizes Comte’s work.

Manipulating Highlights and Skin Tone ❤ī¸đŸ”†

Comte’s imagery is distinguished by the interplay of warm and cool highlights, as well as the intentional underexposure of certain areas. Utilizing reflectors with grids and carefully controlling the direction of light enables us to achieve similar effects in our studio setup.

Creating a Dynamic Studio Setup 🌠

In order to replicate Comte’s lighting style effectively, it’s crucial to consider factors such as light intensity, placement, and the use of both strobe and constant light sources. By combining these elements, we can create a multi-layered lighting setup that mirrors the complexity and visual impact of Comte’s work.

Technical Considerations 📏đŸ”Ļ

Replicating Comte’s lighting style may require a sizable studio space, as well as careful consideration of power settings and light positioning. Balancing soft, underexposed lighting with intense highlights is key to achieving the desired aesthetic in our studio environment.


By deconstructing the lighting techniques employed by Hugo Comte and understanding the nuances of his style, we can replicate and adapt his approach in a studio setting. The careful manipulation of light sources, contrasts, and skin tones enables us to create visually compelling imagery that resonates with Comte’s distinctive aesthetic.

Key Takeaways

  • Replicating Hugo Comte’s lighting style requires a balanced approach to underexposure and highlighting.
  • Strategic manipulation of light sources and reflectors is essential for achieving the desired effects.
  • Multiple layers of light and careful control of skin tones contribute to the visual impact of the final imagery.


  • How can I replicate Hugo Comte’s lighting style in a studio environment?
  • What equipment and techniques are crucial for achieving the desired effects?
  • What factors should I consider when balancing underexposed lighting and intense highlights?

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